Helen Opper


Helen Opper is an independent contemporary art curator, consultant, researcher, and professor based in Oklahoma City. Born and raised in Oklahoma City, Helen studied art history as an undergraduate at Vassar College and the University of California, Berkeley, and earned her Master’s degree in Museum Studies from New York University. After living and working in the contemporary art world in San Francisco and New York for several years, Helen moved back to Oklahoma City in 2015 and now travels wherever work and play take her.

She has worked with important museums, galleries, advisors and appraisers, and private collections, and provides an array of services within the modern and contemporary fine art field. She specializes in curatorial work and artist advocacy; market research and art valuation; collections and database management; art writing and editing; and sales. Her areas of art historical interest and scholarship include activist, feminist, and collective art practice; the artistic output of 1960s-‘90s downtown New York; post-1960 exhibition history and institutional critique;the California Finish Fetish movement; modernist Latin American art; South and Southeast Asian art and architecture; land art; contemporary photography; and digital and new media art.

Currently, Helen consults for Shea Art Advisory, a contemporary art advisory and appraisal firm based in New York and Los Angeles; works as the Curator at The Art Hall in Oklahoma City; and teaches an online Art Appreciation course at Oklahoma City Community College. For a complete CV, please contact Helen.

Helen is an avid traveler, amateur photographer and jewelry maker, chef and Oklahoma State Fair prize-winning pound cake baker, old piano restorer, adventure seeker, and lover of architecture and cats. Please see "my photography" for images from her own camera's collection.

Helen knows that art should respond to the complexities of contemporary culture and politics, and she embraces work that questions, examines, and defies the status quo and that challenges the current world order. One of her goals is to work with artists traditionally underrepresented in the fine art world, to expand equal access to avenues to artistic success.